In Mulla Sadra’s view the rational soul has been created in such a way that, immediately after having the knowledge and the will, it can actualize its intention as one of its own modes. However, this ability is of different stronger and weaker grades at different ontolo
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In Mulla Sadra’s view the rational soul has been created in such a way that, immediately after having the knowledge and the will, it can actualize its intention as one of its own modes. However, this ability is of different stronger and weaker grades at different ontological configurations and levels of the souls. In the Transcendent Philosophy, the domain of the soul’s creativity is divided into two inner and outer fields. The inner field refers to the hidden worlds of the soul and the outer field contains nature and metaphysics. A clear example of inner creativity is the making of mental forms, and one example of external creativity is the miracles done by prophets and favorites of God. Some of the anthropological principles of creativity in the Transcendent Philosophy which are examined extensively in this paper include the immateriality of the soul, the immateriality of the imaginal faculty, being a knowing agent, simplicity of the soul, and the soul’s being a supreme paradigm. Accordingly, the human soul, as a divine existent who is the vicegerent and perfect manifestation of God Almighty, in addition to its internal creativity can be everything which is rationally manifested to its mind under its control and grant external existence to mental existents provided that it becomes identical with perfect immaterial things in terms of knowledge and act.
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